id^title^mpn^description^image_link^price^link^brand^shipping_weight^condition^availability^google_product_category^product_type^gtin^gender^age_group^color^size
1-8-3-5mm-male-to-1-8-3-5mm-male-patch-cable-mm-extc-2^1/8" (3.5MM) Male to 1/8" (3.5mm) Male Patch Cable (MM-EXTC-2)^MM-EXTC-2^The (MM- EXT.CABLE-2) is a six foot patch cable Featuring 1/8"(3.5mm) gold-plated connectors (male to male). Connector coverings available in color at no additional charge! (BLACK, RED, GREEN, BLUE OR NONE) Cable is black. Accessories Add cable lengths! Cable lengths are in 12" increments (.85 cents a foot additional). ^http://site.microphonemadness.com/googlebase/images/1-8-3-5mm-male-to-1-8-3-5mm-male-patch-cable-mm-extc-2.gif^22^http://www.microphonemadness.com/1-8-3-5mm-male-to-1-8-3-5mm-male-patch-cable-mm-extc-2.html^^0.4^New^In Stock^^^^^^^
1-8-3-5mm-male-to-1-8-3-5mm-female-extension-cable-mm-extc-1^1/8" (3.5MM) Male to 1/8" (3.5mm) Female Extension Cable (MM-EXTC-1)^MM-EXTC-1^The (MM- EXT.CABLE-1) is a "six foot" extension cable for your microphones. Featuring 1/8"(3.5mm) gold-plated connectors (male to female). Connector coverings available in color at no additional charge! (BLACK, RED, GREEN, BLUE OR NONE) Cable is black. Accessories Add cable lengths! ^http://site.microphonemadness.com/googlebase/images/1-8-3-5mm-male-to-1-8-3-5mm-female-extension-cable-mm-extc-1.gif^22^http://www.microphonemadness.com/1-8-3-5mm-male-to-1-8-3-5mm-female-extension-cable-mm-extc-1.html^^0.4^New^In Stock^^^^^^^
3-pin-xlr-female-to-3-5mm-1-8-mono^3 Pin XLR Female to 3.5mm (1/8") Mono^MM-3PXLRF-35MM^Adapter cable 3 pin XLR Female to 3.5mm (1/8") Mono Plug Used to connect a mono microphone to Minidisc, DAT or Camcorder. ^http://site.microphonemadness.com/googlebase/images/3-pin-xlr-female-to-3-5mm-1-8-mono.gif^24^http://www.microphonemadness.com/3-pin-xlr-female-to-3-5mm-1-8-mono.html^^0.2^New^In Stock^^^^^^^
add-cable-1-foot-12-increments^ADD CABLE 1 Foot (12") increments^MM-ADDCABLE^This will allow you to add cable to any product with standard cable lengths! Please note: add cable runs in 1 foot(12") increments!^http://site.microphonemadness.com/googlebase/images/add-cable-1-foot-12-increments.gif^0.85^http://www.microphonemadness.com/add-cable-1-foot-12-increments.html^^0.3^New^In Stock^^^^^^^
attenuator-cable^Attenuator Cable^MM-AT-1^Sensitive microphones, while recording loud sounds can overload a recorders microphone pre-amp stage causing distortion! You would then use the microphone(s) to feed the line inputs, however some units don't have line inputs (camcorders, some analog recorders, older equipment) You would simply put the attenuator cable (20 dB) in line from your recorder to your microphone(s) effectively, preventing overloading! The (MM-AT-1) is approx. 13 " long constructed of high quality, double shielded, flexible microphone cable. At each end of the cable is 1/8 " gold plated mini-plug (male) to a 1/8 " gold plated (female) mini- jack.^http://site.microphonemadness.com/googlebase/images/attenuator-cable.gif^35^http://www.microphonemadness.com/attenuator-cable.html^^0.4^New^In Stock^^^^^^^
audio-technica-atw-1101-system-10-digital-wireless-receiver-and-pocket-transmitter^Audio-Technica ATW-1101 System 10 Digital Wireless Receiver and Pocket Transmitter^MM-ATW-1101^The ATW-1101 System 10 from Audio-Technica is a digital wireless package that includes the ATW-R1100 digital receiver and the ATW-T1001 UniPak pocket transmitter. The system can be completed by adding an Audio-Technica Wireless Essentials series microphone or instrument cable. The ATW-1101 uses 24-bit, 48 kHz digital audio and operates free from TV interference in the 2.4 GHz frequency range. Built for expandability, you can use up to eight systems simultaneously. When completed with a compatible Audio-Technica mic, the ATW-1101 system can be used to accommodate a wide variety of wireless applications. Choose from a selection of clip-on lavalier and headworn mics for speakers and singers, as well as clip-on instrument microphones to be used with horns, acoustic guitars and more. There are also instrument cables available for electric guitarists and bassists. The compatible mic or cable plugs into the included ATW-T1001 transmitter using a 4-pin UniPak connector. Designed to fit discretely into your pocket, the ATW-T1001 transmits the wireless signal to the included ATW-R1100 digital receiver which plugs into your mixer, sound system or amplifier depending on the application. The ATW-1101 wireless system is engineered to quickly find the best signal possible, utilizing an automatic frequency selection function that chooses open bands for you when you "pair" your transmitter with the receiver. Also designed to combat interference, the ATW-1101 uses three different diversity techniques. Using frequency diversity, the system sends the wireless signal on two separate channels simultaneously and chooses the one with the clearest signal. It also transmits the signal across multiple intervals in time in order to fight multipath interference. This is known as time diversity. Furthermore, the system also makes use of space diversity, choosing between the receiver's dual antennas depending on which is picking up the best signal integrity. Compatible with the PRO 8HEcW and ATW-1101/H92-TH headworn mics, the MT830cW lavalier mic, the AT-GcW guitar cable and others Balanced XLR output on receiver allows for connection to microphone level inputs on mixers Unbalanced 1/4" output on receiver for connecting to guitar amp Level controls on transmitter and receiver Pair indicator illuminates on receiver when synced with transmitter AF Peak indicator on receiver allows you to monitor the input stage on the transmitter for clipping System Specifications Operating Frequencies 2.4 GHz ISM band Dynamic Range >109 dB (A-weighted), typical Total Harmonic Distortion <0.05% typical Operating Range 30 m (100') typical Operating Temperature Range 0 to +40° C (32 to 104° F) Frequency Response 20 Hz to 20 kHz Audio Sampling 24 bit, 48 kHz Receiver Receiving System Diversity (frequency/time/space) Output Connections 1x XLR, balanced 1x 1/4" (6.3 mm), unbalanced Maximum Output Level Balanced: 0 dBV Unbalanced: +6 dBV Power Supply 100-240V AC (50/60 Hz) to 12V DC 0.5A, center positive, switched mode external power supply Dimensions 7.48 x 1.82 x 5.06" (190.0 x 46.2 x 128.5 mm) Weight 10.2 oz (290 g) Transmitter RF Output Power 10 mW Spurious Emission Following federal and national regulations Input Connections 1x 4-pin locking connector Wiring: Pin 1: GND Pin 2: INST INPUT Pin 3: MIC INPUT Pin 4: DC BIAS +9V Batteries 2x 1.5V AA (not included) Battery Life >7 hours (alkaline) Dimensions 2.76 x 4.21 x .98" (70.2 x 107 x 24.9 mm) Weight 3.5 oz (100 g), without batteries Packaging Info Package Weight 2.25 lb Box Dimensions (LxWxH) 13.8 x 11.0 x 4.3" ^http://site.microphonemadness.com/googlebase/images/audio-technica-atw-1101-system-10-digital-wireless-receiver-and-pocket-transmitter.gif^279.95^http://www.microphonemadness.com/audio-technica-atw-1101-system-10-digital-wireless-receiver-and-pocket-transmitter.html^^6^New^In Stock^^^^^^^
audio-technica-atw-1301-system-10-pro-rack-mount-digital-unipak-transmitter-system^Audio-Technica ATW-1301 System 10 PRO Rack-Mount Digital UniPak Transmitter System (2.4 GHz)^MM-ATW-1301^"NEW" The System 10 PRO ATW-1301 from Audio-Technica is a digital 24-bit/48 kHz wireless microphone system that operates on the 2.4 GHz ISM band and is used to capture audio for applications such as live stage, theater, DJ setups, and more. The System 10 PRO features a half-rack chassis that allows you to mount one or two receiver units, however the receiver units can be released from the chassis and mounted remotely (up to 328' away) via Ethernet cable. Up to five chassis or 10 receiver units can be linked using a RJ12 cable, creating a multi-channel system with up to 10 channels. In addition, other features include an easy-to-read display on each transmitter and receiver unit for quick setup, clear and natural-quality sound, and three levels of diversity, namely frequency, time, and space. Frequency Diversity sends the signal on two allocated frequencies, Time Diversity sends the signal in multiple time slots, and Space Diversity uses two antennas on each transmitter and receiver unit, thus to help maximize signal integrity. The System 10 PRO Rack-Mount system includes an ATW-RC13 receiver chassis with rack-mount adapters, one ATW-RU13 receiver unit with corresponding AT8690 receiver unit mounting brackets, one RJ12 cable, one AC adapter, and one ATW-T1001 UniPak bodypack transmitter. Audio-Technica System 10 ATW-1301 Digital Wireless System Features: 24-bit/48kHz digital wireless system Removable receivers for remote placement up to 300' away via Ethernet Daisy chain up to 5 chassis and use up to 10 channels simultaneously Clear sound quality and rock-solid, dependable performance Automatic frequency scanning finds an open channel at the touch of a button Includes RJ12 cable for system linking and AC adaptor ^http://site.microphonemadness.com/googlebase/images/audio-technica-atw-1301-system-10-pro-rack-mount-digital-unipak-transmitter-system.gif^429^http://www.microphonemadness.com/audio-technica-atw-1301-system-10-pro-rack-mount-digital-unipak-transmitter-system.html^^6^New^In Stock^^^^^^^
audio-technica-atw-1311-system-10-pro-rack-mount-digital-dual-unipak-transmitter-system^Audio-Technica ATW-1311 System 10 PRO Rack-Mount Digital Dual UniPak Transmitter System (2.4 GHz)^MM-ATW-1311^"NEW" The System 10 PRO ATW-1311 from Audio-Technica is a digital 24-bit/48 kHz wireless microphone system that operates on the 2.4 GHz ISM band and is used to capture audio for applications such as live stage, theater, DJ setups, and more. The System 10 PRO features a half-rack chassis that allows you to mount one or two receiver units, however the receiver units can be released from the chassis and mounted remotely (up to 328' away) via Ethernet cable. Up to five chassis or 10 receiver units can be linked using a RJ12 cable, creating a multi-channel system with up to 10 channels. In addition, other features include an easy-to-read display on each transmitter and receiver unit for quick setup, clear and natural-quality sound, and three levels of diversity, namely frequency, time, and space. Frequency Diversity sends the signal on two allocated frequencies, Time Diversity sends the signal in multiple time slots, and Space Diversity uses two antennas on each transmitter and receiver unit, thus to help maximize signal integrity. The System 10 PRO Rack-Mount system includes one ATW-RC13 receiver chassis with rack-mount adapters, two ATW-RU13 receiver units with corresponding AT8690 receiver unit mounting brackets, one RJ12 cable, one AC adapter, and two ATW-T1001 bodypack transmitters. Product Highlights Digital 24-bit/48 kHz Operation 2.4 GHz ISM Band Automatic Frequency Selection XLR and 1/4" Outputs Channel Selection, Sync, and Setup Three Levels of Diversity Assurance Easy-To-Read Display Can be Linked to Ten Receiver Units Receiver Units Can Be Mounted Remotely Ground-Lift Switch *IN THE BOX System 10 PRO ATW-RC13 Rack-Mount Digital Wireless Receiver (2.4 GHz) AC Adapter Link Cable Rack-Mount Adapters Rubber Feet Limited 2-Year Warranty Power Supply 2 x ATW-RU13 System 10 PRO Receiver Unit (2.4 GHz) 2 x Antennas AT8690 RU13 Holder Limited 2-Year Warranty 2 x ATW-T1001 System 10 Digital UniPak Transmitter Transmitter Screwdriver Limited 2-Year Warranty Also Includes Power Supply AC Adapter Link Cable Rack-Mount Adapters Joining Plate Rubber Feet Limited 2-Year Warranty ^http://site.microphonemadness.com/googlebase/images/audio-technica-atw-1311-system-10-pro-rack-mount-digital-dual-unipak-transmitter-system.gif^759^http://www.microphonemadness.com/audio-technica-atw-1311-system-10-pro-rack-mount-digital-dual-unipak-transmitter-system.html^^6^New^In Stock^^^^^^^
audio-technica-system-9-vhf-wireless-unipak-system-atw-901^Audio-Technica System 9 VHF Wireless Unipak System ATW-901^MM-ATW-901^The Audio-Technica System 9 VHF Wireless Unipak System is designed for live sound reinforcement applications. The system consists of a wireless VHF receiver, a bodypack transmitter, and your choice to add a wireless microphone or instrument cable to complete the system. The receiver utilizes two dipole antennas for extended range, and allows you to select your VHF transmission frequency from 169.505, 170.245, 171.045, or 171.905 MHz. The receiver includes LED indicator lights for channel, RF, and AF peak. The back of the receiver includes a volume control knob, a squelch control knob, a balanced XLR audio output, and an unbalanced 1/4" audio output. The receiver also includes a power cord hook to prevent accidental pull-out of the DC power supply. The bodypack transmitter is powered by two AA batteries and includes variable microphone and instrument trim, channel selection DIP switches, a Power/Mute button, and a Unipak input connector. Four Selectable VHF Transmission Frequencies Select from 169.505, 170.245, 171.045, 171.905 MHz Dipole Antenna for Extended Range The receiver utilizes two antennas to improve the range of the system Squelch Control The receiver features a squelch adjustment knob that controls the threshold for the radio signal that regulates audio output. If the radio signal from the microphone drops below the threshold, the squelch control mutes the audio output to prevent the transmission of radio interference and white noise from entering the speakers Overall System Type VHF High Band Operating Frequencies 169.505, 170.245, 171.045, 171.905 MHz Modulation Mode FM Maximum Deviation ¡À10 kHz Dynamic Range ¡Ý90 dB (A-weighted), typical Operating Range 200' (61.0 m), open range environment with no interfering signals Operating Temperature Range 40 to 110¡ã F (4 to 43¡ã C), battery performance may be reduced at very low temperatures Frequency Response 80 to 13,000 Hz Receiver Specifications Receiving System Non-diversity, single-channel, dual-antenna system Image Rejection 50 dB minimum Audio Output Nominal Output Level Balanced XLR: 350 mV (1 kHz modulation, 10 kHz deviation, 100 k¦¸ load) Unbalanced 1/4" (6.3 mm): 700 mV (1 kHz modulation, 10 kHz deviation, 100 k¦¸ load) Power Supply 100 to 240 VAC (50/60 Hz) to 12 VDC at 0.5A (center positive) switched mode external power supply Dimensions (W x H x D) 7.48 x 1.82 x 5.06" (190 x 46.2 x 129 mm) Weight 12.0 oz (337 g) Bodypack Transmitter RF Power Output High: 10 mW Spurious Emission Following federal and national regulations Input Connections Four-pin, Locking Connector Pin 1: GND Pin 2: INST INPUT Pin 3: MIC INPUT Pin 4: DC BIAS +9V Batteries Two 1.5V AA (not included) Current Consumption 8 hours (alkaline), depending on battery type and use pattern Dimensions (W x H x D) 2.76 x 4.08 x 0.98" (70.2 x 104 x 24.9 mm) Weight 2.8 oz (79 g) (without batteries) Packaging Info Package Weight 2.6 lb ^http://site.microphonemadness.com/googlebase/images/audio-technica-system-9-vhf-wireless-unipak-system-atw-901.gif^149.95^http://www.microphonemadness.com/audio-technica-system-9-vhf-wireless-unipak-system-atw-901.html^^5^New^In Stock^^^^^^^
audio-technica-wireless-system-2000-series^Audio-Technica Wireless System (2000 series)^MM-ATW-2110a^Product Description Audio-Technica’s second-generation 2000 Series is a 10-channel frequency-agile UHF wireless system designed to suit a variety of applications, including MI/live performance, fixed installation, public address, A/V rental houses and places of worship. It offers all the advantages of a high-quality, professional wireless system at an extremely affordable price. New professional features include two available frequency bands and switchable antenna power. Also new to the 2000 Series, the optional ATW-CHG2 two-bay recharging station provides power to recharge NiMH batteries in two ATW-T220a handheld transmitters and/or ATW-T210a UniPak® transmitters in any combination. Offering 10 selectable channels in one of two UHF frequency ranges and True Diversity UHF wireless technology, the 2000 Series features automatic frequency scanning. At the touch of a button, this function automatically determines and sets the best available frequency. Any of the 2000 Series’ 10 channels may be used together without any frequency coordination problems or group selection issues. The 2000 Series also incorporates Audio-Technica’s Tone Lock™ squelch plus an easy-to-read LCD information display. FEATURES Serious advances in affordable professional wireless Clear sound quality and rock-solid, dependable performance Automatic frequency scanning 10 compatible user-switchable channels in one of two UHF frequency ranges Antenna power available for powered antennas & other in-line RF devices True Diversity operation selects the better signal from the two receiver sections, reducing dropouts Tone Lock™ tone squelch system fights interference Rugged metal half-rack receiver with soft-touch controls and LCD display Balanced XLR and unbalanced 1/4” output jacks enable use with a wide variety of audio gear Switchable transmitter power output with high and low settings offered Includes rack-mount kit and detachable UHF antennas Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver New charger (ATW-CHG2 ) available for ATW-T220a & ATW-T210a transmitters OVERALL SYSTEM SPECIFICATIONS Operating Frequencies UHF Band D: 656.125 to 678.500 MHz Band I : 487.125 to 506.500 MHz Number of Channels 10 total Modulation Mode FM Maximum Deviation ±40 kHz Dynamic Range > 110 dB (A-weighted), typical Total Harmonic Distortion < 1% (at 1 kHz, ±20 kHz deviation) Operating Range 100 m (300'), typical Open range environment with no interfering signals. Operating Temperature Range 5º C to 45º C 41º F to 113º F Battery and LCD performance may be reduced at very low temperatures. Frequency Response 100 Hz to 15 kHz (+1 dB, -3 dB) RECEIVER SPECIFICATIONS Receiving System True diversity Image Rejection 60 dB nominal, 55 dB minimum RF Sensitivity 20 dBuV at 60 dB S/N ratio (50 ohms termination) Antenna Input BNC-type, 50 ohms Bias voltage 12V DC, 60 mA, each Power Requirements 12-18V DC, 500 mA Dimensions 210.0 mm (8.27") W x 162.2 mm (6.39") D x 44.0 mm (1.73") H Not including BNC connectors or feet. Net Weight 1.0 kg (35.3 oz), without accessories Accessories Included Two flexible UHF antennas; AC adapter (country dependent); rack-mount adapters ADDITIONAL RECEIVER SPECS Maximum Output Level: XLR Balanced: +9 dBV ¼" (6.3 mm) Unbalanced: +4 dBV Balanced Audio Output Attenuator: Two position switch: 0 / -12 dB BODY-PACK TRANSMITTER SPECIFICATIONS RF Power Output High: 30 mW, Low: 10 mW (switchable), at 50 ohms Spurious Emissions Following federal and national regulations Input Connections Four-pin Locking Connector Pin 1: GND Pin 2: INST INPUT Pin 3: MIC INPUT Pin 4: DC BIAS +9V Batteries Two 1.5V AA alkaline (not included) or two 1.2V AA NiMH (not included) Recharging power for NiMH batteries (with ATW-CHG2) U.S./Canada/Latin America: 3.2 V DC, 230 mA x2 Other world areas: 3.2 V DC, 320 mA x2 Battery Life High: 7 hours (alkaline) Low: 9 hours (alkaline) Depending on battery type and use pattern. Dimensions 66.0 mm (2.60") W x 22.5 mm (0.89") D x 92.3 mm (3.63") H Net Weight 81 g (2.9 oz), without batteries ^http://site.microphonemadness.com/googlebase/images/audio-technica-wireless-system-2000-series.gif^329^http://www.microphonemadness.com/audio-technica-wireless-system-2000-series.html^^6^New^In Stock^^^^^^^
audio-technica-wireless-system-3000-series^Audio-Technica Wireless System (3000 series)^MM-ATW-3110b^Product Description The Audio Technica 3000 Series wireless systems provide reliable, professional UHF technology for the most demanding of applications. The ATW-3110 is a frequency agile, true-diversity body-pack wireless microphone system including the ATW-R310 receiver and ATW-T310 UniPak Transmitter. The absence of a microphone allows users the freedom to choose any of the Audio-Technica UniPak compatible microphones or cables as desired. The ATW-R310 Receiver features frequency adjustable UHF reception, allowing access of up to 200 user selectable channels. Diversity reception allows 2 build-in, independent receivers to relay on a single frequency for the strongest possible reception. The rear panel reveals both unbalanced 1/4" Phone and balanced XLR outputs. A comprehensive back-lit LCD display reveals channel and frequency settings, signal status and transmitter battery status. The receiver also features a ground lift switch, convenient in settings where bad power feeds result in ground hum and noise on the output stage. The ATW-T310 Body-pack Transmitter features Audio-Technica's unique UniPak input connector. The input conveniently accepts both line and microphone level signal (adjustable) allowing instrument signal as well as microphone signals. An assortment of compatible microphones and instrument cables are available from Audio-Technica. The light weight transmitter operates on 2-AA Alkaline batteries for up to 6 hours (High) and 8 hours (Low). Frequency Agile The system operates on UHF frequencies allowing greater channel selectability and range. The transmitter and receiver feature 200 user selectable channels. Diversity Reception The ATW-R310 receiver features dual internal receivers. The receivers relay between each-other, vying for the strongest reception while minimizing noise and signal drop-out. UniPak Transmitter Audio-Technica's UniPak transmitter is a body-pack with an input connection designed for low and high impedance signal. This makes the transmitter versatile enough to handle microphone and line level signals. System Type of System UHF Frequency Agile Body-Pack RF Carrier Frequency Range Band D: 655.500 to 680.375 MHz Approx. Working Range 300' Overall Frequency Response 70 Hz to 15 kHz Signal-to-Noise Ratio 110 dB at 35 kHz deviation (IEC-weighted), maximum modulation 75 kHz # Of Channels 200 Channels # Of Simultaneous Systems 6 Receiver Type of Receiver Dual independent receivers, automatic-switching diversity Type of Outputs Unbalanced: 1/4" TS ("mono") phone jack Balanced: XLRM-type Headphone Monitoring No Power Requirements 120V AC 60 Hz; 12-18V DC, 500 mA, center positive, with external supply Battery Type/Approx. Life AC Powered Only Display Back-Lit LCD Display & Battery / Signal Status LED Mounting Options Table Surface / Rack Mountable rack ears included Antenna Type BNC Flexible UHF Dimensions 8.27 x 1.93 x 6.93" (210.0 x 49.0 x 176.0mm) (WxHxD) Weight 2.4 lbs (1.1 kg) Transmitter Type of Transmitter Frequency Agile Body-Pack Type of Input Connector Hirose 4-Pin Locking Connector High Impedance / Low Impedance / Bias UniPak Connection Type of Microphone Microphone not included with this system Polar Pattern Not applicable Interchangeable Mic Heads Various AKG microphones and cables featuring UniPak connection Battery Type/Approx. Life (2) 1.5V AA Alkaline not included Mute Switch Power / Mute switch dual function Level Control Input Level Control: -6 dB / 0 dB / +6 dB / +12 dB Antenna Type BNC Flexible UHF Display Back-Lit LCD Display & Battery / Signal Status LED Dimensions 2.60 x 3.43 x 0.94" (66.0 x 87.0 x 24.0mm)(WxHxD) Weight 2.8 oz (80 g)without batteries ^http://site.microphonemadness.com/googlebase/images/audio-technica-wireless-system-3000-series.gif^449^http://www.microphonemadness.com/audio-technica-wireless-system-3000-series.html^^6^New^In Stock^^^^^^^
belt-clip-option^Belt Clip Option^MM-BCO-1-new^The Universal Mounting Clip has quality ABS plastic construction, with a hook-and-loop fastener for quick and easy removal.^http://site.microphonemadness.com/googlebase/images/belt-clip-option.gif^12^http://www.microphonemadness.com/belt-clip-option.html^^0.2^New^In Stock^^^^^^^
dual-1-4-male-to-3-5-stereo-male^Dual 1/4" Male to 3.5 Stereo Male^MM-D1-4M^Adapter Cable Dual 1/4" Male to 3.5 Stereo Male^http://site.microphonemadness.com/googlebase/images/dual-1-4-male-to-3-5-stereo-male.gif^199^http://www.microphonemadness.com/dual-1-4-male-to-3-5-stereo-male.html^^0.4^New^In Stock^^^^^^^
dual-3-5mm-female-mono-to-3-5mm-stereo-male^DUAL 3.5mm Female (mono) to 3.5mm Stereo Male^MM-D35FM-35SM^This adapter cable allows you to hookup 2 "mono" microphones into one "stereo" jack! Accessories Add cable lengths! ^http://site.microphonemadness.com/googlebase/images/dual-3-5mm-female-mono-to-3-5mm-stereo-male.gif^25^http://www.microphonemadness.com/dual-3-5mm-female-mono-to-3-5mm-stereo-male.html^^0.5^New^In Stock^^^^^^^
dual-3-5mm-female-stereo-to-3-5mm-stereo-male^DUAL 3.5mm Female (stereo) to 3.5mm Stereo Male^MM-D35FS-35SM^This adapter cable allows you to connect two "stereo" headphones into one "stereo" headphone jack. Two people can enjoy at the same exact time! Accessories Add cable lengths! ^http://site.microphonemadness.com/googlebase/images/dual-3-5mm-female-stereo-to-3-5mm-stereo-male.gif^25^http://www.microphonemadness.com/dual-3-5mm-female-stereo-to-3-5mm-stereo-male.html^^0.5^New^In Stock^^^^^^^
dual-rca-male-to-3-5-stereo-male^Dual RCA Male to 3.5 Stereo Male^MM-DRCAM^Adapter Cable Dual RCA Male to 3.5 Stereo Male^http://site.microphonemadness.com/googlebase/images/dual-rca-male-to-3-5-stereo-male.gif^199^http://www.microphonemadness.com/dual-rca-male-to-3-5-stereo-male.html^^0.4^New^In Stock^^^^^^^
dual-xlr-female-to-3-5mm-1-8-stereo-miniplug^Dual XLR Female to 3.5mm (1/8") stereo miniplug^MM-DXLRF-35SM^Adapter cable Dual XLR Female to 3.5mm (1/8") stereo miniplug Used to connect two microphones or soundboard outputs to Minidisc, DAT or Camcorders. Comes with your choice of cable lengths, 3, 4 or 5 feet at no additional cost to our valued customers!^http://site.microphonemadness.com/googlebase/images/dual-xlr-female-to-3-5mm-1-8-stereo-miniplug.gif^35^http://www.microphonemadness.com/dual-xlr-female-to-3-5mm-1-8-stereo-miniplug.html^^0.5^New^In Stock^^^^^^^
dual-xlr-male-to-3-5mm-stereo-female^Dual XLR Male to 3.5mm Stereo Female^MM-DXLRM-35F^Dual XLR male to single 1/8" (3.5mm) female stereo connector. This cable allows you to convert devices with a 1/8" (3.5mm) male output to dual XLR inputs.^http://site.microphonemadness.com/googlebase/images/dual-xlr-male-to-3-5mm-stereo-female.gif^35^http://www.microphonemadness.com/dual-xlr-male-to-3-5mm-stereo-female.html^^0.7^New^In Stock^^^^^^^
dual-xlr-male-to-3-5mm-stereo-male^Dual XLR Male to 3.5mm Stereo Male^MM-DXLRM-35M^Dual XLR male to single 1/8" (3.5mm) male stereo connector. This cable allows you to connect the output of Minidisc, Dat, or other line level devices to XLR inputs. Choice of 2, 3, or 4 foot cable lengths at no additional cost to our valued customers!^http://site.microphonemadness.com/googlebase/images/dual-xlr-male-to-3-5mm-stereo-male.gif^35^http://www.microphonemadness.com/dual-xlr-male-to-3-5mm-stereo-male.html^^0.7^New^In Stock^^^^^^^
extension-cable-saver-10-cable-mm-extc-3^Extension Cable / Saver ( 10" Cable ) - (MM-EXTC-3)^MM-EXTC-3^This miniature extension cable (10" long) will save the wear and tear of your recorders mic / headphone input jack. 3.5mm to 3.5mm connectors (male to female). Choice of connector coverings at no additional charge! (Black, Red, Green, Blue or NONE). Accessories Add cable lengths! ^http://site.microphonemadness.com/googlebase/images/extension-cable-saver-10-cable-mm-extc-3.gif^22^http://www.microphonemadness.com/extension-cable-saver-10-cable-mm-extc-3.html^^0.4^New^In Stock^^^^^^^
micro-lapel-style-microphone-omni-frequency-response-20-20-000-hz^Micro-Lapel Style Microphone (omni) Frequency Response 20-20,000 Hz.^MM-ML^The (MM-MICRO LAPEL- 1) is hand made with high quality products to ensure long life and excellent recordings! This microphone (micro-sized) is a "mono" omni- directional microphone. The microphone element is strategically mounted and covered with a durable rubber coating. Measuring approx. 6 mm in diameter x 5 mm long. High quality shielded microphone cable exits the bottom of the cartridge and terminates into a 1/8" (3.5 mm) gold-plated plug. *** Must specify cable length, choice of 3,4,5,or 6 feet at no additional charge!!! Comes with a "SHURE" miniature wide mouth universal holding clip which attaches to the microphone cable for even greater flexibility! Premium windscreen included. This microphone has a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/- 2dB. It can be easily plugged into any Minidisc, Dat, or Analog recorder that supplies a bias voltage (also known as plug in power) of between 1.5 to 10 volts D.C Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 108dB SPL (125 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with "SHURE" premium holding clip and premium windscreen. Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/micro-lapel-style-microphone-omni-frequency-response-20-20-000-hz.gif^79^http://www.microphonemadness.com/micro-lapel-style-microphone-omni-frequency-response-20-20-000-hz.html^^0.4^New^In Stock^^^^^^^
mm-bsm-4-croakie-style-binaural-stereo-microphones^MM-BSM-4 ( Croakie Style ) Binaural Stereo Microphones^MM-BSM-4^The (MM-BSM-4) is a croakie mounted microphone option of the (MM- BSM-3). The microphone capsules are completely and permanently mounted inside suiters styles croakies. These croakies will mount into standard thickness eyeglass frames. Eyeglasses are not included. Must specify color of croakies. The croakies are available in gray/black or just plain black. These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-4-croakie-style-binaural-stereo-microphones.gif^130^http://www.microphonemadness.com/mm-bsm-4-croakie-style-binaural-stereo-microphones.html^^0.6^New^In Stock^^^^^^^
mm-bsm-5-micro-binaural-stereo-microphones^MM-BSM-5 "Micro" Binaural Stereo Microphones^MM-BSM-5^Our (MM-BSM-5) is hand-made with high quality products to ensure long life and excellent recordings! These omni- directional microphones are extremely small in size (approx. 6mm wide x 5mm long). Each microphone element is strategically mounted for maximum performance. Six feet of high quality shielded microphone cable exits the rear of each cartridge and are terminated into a gold plated 1/8" ( 3.5 mm) stereo plug. These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with premium windscreens. Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-5-micro-binaural-stereo-microphones.gif^79.95^http://www.microphonemadness.com/mm-bsm-5-micro-binaural-stereo-microphones.html^^0.5^New^In Stock^^^^^^^
mm-bsm-6-micro-binaural-stereo-microphones-w-shure-premium-holding-clips^MM-BSM-6 "Micro" Binaural Stereo Microphones w/ "Shure" premium holding clips!^MM-BSM-6^Our (MM-BSM-6) is hand-made with high quality products to ensure long life and excellent recordings! These omni- directional microphones are extremely small in size (approx. 6mm wide x 5mm long). Each microphone element is strategically mounted for maximum performance. Six feet of high quality shielded microphone cable exits the rear of each cartridge and are terminated into a gold plated 1/8" ( 3.5 mm) stereo plug. Comes with "SHURE" premium wide mouth holding clips! These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with "Shure" holding clips and premium windscreens. Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-6-micro-binaural-stereo-microphones-w-shure-premium-holding-clips.gif^99.95^http://www.microphonemadness.com/mm-bsm-6-micro-binaural-stereo-microphones-w-shure-premium-holding-clips.html^^0.5^New^In Stock^^^^^^^
mm-bsm-7-panasonic-61-series-bianural-stereo-mics^MM-BSM-7 (Panasonic 61 Series) Bianural Stereo Mics^MM-BSM-7^Our (MM-BSM-7) is hand-made with high quality products to ensure long life and excellent recordings! These omni- directional microphones are smaller than an eraser head of a pencil. Each microphone element (panasonic 61 series) is mounted into there own durable brass capsules ( approx. 1/4" in diameter x 1/2" long). Six feet of high quality shielded microphone cable exits the rear of each capsule and are terminated into a gold plated 1/8" ( 3.5 mm) stereo plug. Microphones come standard with 360 degree (rotational and removable) holding clips and premium wind screens! These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 62dB, 1khz at 1pa Open circuit sensitivity : -35dB (5.6 mv) re 1v at 1pa Dynamic range: 95dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with holding clips and premium windscreens. Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-7-panasonic-61-series-bianural-stereo-mics.gif^85^http://www.microphonemadness.com/mm-bsm-7-panasonic-61-series-bianural-stereo-mics.html^^0.5^New^In Stock^^^^^^^
mm-bsm-8-true-natural-over-the-ear-in-ear-binaural-stereo-microphones^MM-BSM-8 True & Natural Over the Ear, In-Ear Binaural Stereo Microphones^MM-BSM-8^The (MM-BSM-8) True & Natural over the ear on in-ear stereo microphones that will give you the "most" realistic and accurate binaural stereo recordings! Totally flexible and form fitting the (MM-BSM-8) will give you hours of comfortable recordings hands free! Microphones install quick and easily over the ear and slide into the opening of each ear. When installed correctly microphones will not fall out! Comes standard gold plated 1/8" stereo plug for even greater flexibility. Cable lengths are 52". *In-Ear Binaural Stereo Microphones "do not" block your hearing ability! These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 62dB, 1khz at 1pa Open circuit sensitivity : -35dB (5.6 mv) re 1v at 1pa Dynamic range: 95dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-8-true-natural-over-the-ear-in-ear-binaural-stereo-microphones.gif^99^http://www.microphonemadness.com/mm-bsm-8-true-natural-over-the-ear-in-ear-binaural-stereo-microphones.html^^0.4^New^In Stock^^^^^^^
mm-bsm-9-binaural-stereo-microphones-omni-directional-with-shure-premium-holding-clips^MM-BSM-9 Binaural Stereo Microphones ( omni-directional ) with "Shure Premium Holding Clips^MM-BSM-9^Our (MM-BSM-9) is hand-made with high quality products to ensure long life and excellent recordings! These omni- directional microphones are smaller than an eraser head of a pencil. Miniature in size each microphone element is mounted into there own durable brass capsules ( approx. 1/4" in diameter x 3/4" long). Six feet of high quality shielded microphone cable exits the rear of each capsule and are terminated into a gold plated 1/8" ( 3.5 mm) stereo plug.Each microphone capsule comes with a "Shure" premium holding clip which is removable and 360 degree rotational that can be used to attach the microphones to any convenient mounting surface. These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. (also known as plug in power) at the microphone input jack. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-05, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with "Shure" premium holding clips which are fully rotational and removable and premium windscreens. Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-bsm-9-binaural-stereo-microphones-omni-directional-with-shure-premium-holding-clips.gif^115^http://www.microphonemadness.com/mm-bsm-9-binaural-stereo-microphones-omni-directional-with-shure-premium-holding-clips.html^^0.5^New^In Stock^^^^^^^
mm-cmm-1-mini-cardioid-mono-microphone-frequency-response-100-16-000-hz^MM-CMM-1 Mini-Cardioid Mono Microphone Frequency Response 100-16,000 Hz.^MM-CMM-1^*The microphone stand in some of the pictures "does not" come with the product!* This miniature cardiod mono microphone (MM-CMM-1) is constructed with High-Quality products to ensure durability and One (1) Year recordings! Excellent for recording the sound source from far away, limiting crowd noise behind and on the sides of you!!!Total measurements are 2 1/8 " tall x 3/8" wide. The microphone is housed in a a 1/8" miniplug connector / brass cylinder that has been modified and designed for maximum microphone saturation! Exterior of microphone is tightly enclosed in a durable rubber coating. Comes with premium windscreen! Color is black. NOTE: If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable (MM-EXT.CABLE-1). These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 100- 16,000 Khz. Signal to Noise Ratio: Greater than 60 dB Open Circuit Sensitivity: -50 dB Maximum Input Sound Level: 111 dB SPL, 1Khz at 1% T.H.D. (125 dB when powered by one of our battery modules) Features Flat frequency response Premium windscreens Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! Check out our Battery / Filter Module Section (mono) or (stereo) Miniature Tripod Stand will allow you to isolate your microphone from your recorder! ^http://site.microphonemadness.com/googlebase/images/mm-cmm-1-mini-cardioid-mono-microphone-frequency-response-100-16-000-hz.gif^69^http://www.microphonemadness.com/mm-cmm-1-mini-cardioid-mono-microphone-frequency-response-100-16-000-hz.html^^0.3^New^In Stock^^^^^^^
mm-cmm-2-mini-cardioid-mono-microphone-frequency-response-20-20-000-hz^MM-CMM-2 Mini-Cardioid Mono Microphone Frequency Response 20-20,000 Hz.^MM-CMM-2^*The microphone stand in some of the pictures "does not" come with the product!* This miniature cardiod mono microphone (MM-CMM-2) is constructed with High-Quality products to ensure durability and One (1) Year recordings! Excellent for recording the sound source from far away, limiting crowd noise behind and on the sides of you!!!Total measurements are 2 1/8 " tall x 3/8" wide. The microphone is housed in a a 1/8" miniplug connector / brass cylinder that has been modified and designed for maximum microphone saturation! Exterior of microphone is tightly enclosed in a durable rubber coating. Comes with premium windscreen! Color is black. If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable MM-EXT.CABLE-1. These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: Greater than 60 dB Open Circuit Sensitivity: -50 dB Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 120 dB SPL, 1Khz at 1% T.H.D. (130 dB when powered by one of our battery modules) Features Flat Frequency Response Comes with Premium Windscreen. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! Check out our Battery / Filter Module Section (mono) or (stereo) Miniature Tripod Stand will allow you to isolate your microphone from your recorder! ^http://site.microphonemadness.com/googlebase/images/mm-cmm-2-mini-cardioid-mono-microphone-frequency-response-20-20-000-hz.gif^69^http://www.microphonemadness.com/mm-cmm-2-mini-cardioid-mono-microphone-frequency-response-20-20-000-hz.html^^0.3^New^In Stock^^^^^^^
mm-dual-ear-psm-pro-series-dual-earset-microphone^MM-Dual Ear PSM Pro Series Dual Earset Microphone^MM-DPSM^***NEW STIFFER BOOM DESIGN!!!*** *** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cannot break Earset in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user General Description The MM-Pro Series dual-earset(MM-DPSM)is ideal for applications requiring Ultra-low profile unobtrusive fit. It is an omni-directional, back electret condensor microphone intended for Theatre, House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible, easy to use and has an unbreakable boom / headband! ***** Please note: Boom is fixed on either the right side or left side. ***** Same microphone performance as the MM-PSM earset but more stable for the active user. Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 145 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 3.4in. (86.4mm) Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Cable: 4ft. (1.22m) long, 0.077 in. (1.95mm) diameter Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color (Beige, Brown or Black) Matching Windscreen Holding Clip ****Fitment: Microphone ear hooks lay over both ears and boom goes under your ear down along your jaw line.****^http://site.microphonemadness.com/googlebase/images/mm-dual-ear-psm-pro-series-dual-earset-microphone.gif^149.95^http://www.microphonemadness.com/mm-dual-ear-psm-pro-series-dual-earset-microphone.html^^0.04^New^In Stock^^^^^^^
premium-miniature-holding-clip-rotational^MM-HC-2 Premium Miniature Holding Clip (rotational)^MM-HC-2^"SHURE" premium miniature 360 degree rotational holding clip with wide mouth opening! ===> Excellent for our (MM-STM-1) & our (MM-TMM-1) . Color is black!^http://site.microphonemadness.com/googlebase/images/premium-miniature-holding-clip-rotational.gif^20^http://www.microphonemadness.com/premium-miniature-holding-clip-rotational.html^^0.3^New^In Stock^^^^^^^
universal-holding-clip-attaches-to-microphone-cables^MM-HC-3 Universal Holding Clip attaches to microphone cables^MM-HC-3^Universal Holding Clip that attaches to microphone cables. Will cover from 1mm to 3mm OD. Rotational. Light weight but very durable! Available in Beige or Black Color^http://site.microphonemadness.com/googlebase/images/universal-holding-clip-attaches-to-microphone-cables.gif^9^http://www.microphonemadness.com/universal-holding-clip-attaches-to-microphone-cables.html^^0.1^New^In Stock^^^^^^^
mm-lapel-1-lapel-style-microphone-omni-frequency-response-20-20-000-hz^MM-LAPEL-1 Lapel Style Microphone (omni) Frequency Response 20-20,000 Hz.^MM-LAPEL-1^The (MM-LAPEL- 1) is hand made with high quality products to ensure long life and excellent recordings! This microphone (very small in size) is a "mono" omni-directional microphone. The microphone element is mounted into a durable brass capsule and covered with a rubber coating. Measuring approx. 1/4" in diameter x 3/4" long. High quality shielded microphone cable exits the bottom of the capsule and terminates into a 1/8" (3.5 mm) gold-plated plug. *** Must specify cable length, choice of 3,4,5,or 6 feet at no additional charge!!! Comes with a "SHURE" miniature wide mouth universal holding clip which is 360 degree rotational/removable that will hold any position needed! Premium windscreen included. This microphone has a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/- 2dB. It can be easily plugged into any Minidisc, Dat, or Analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 58dB, 1khz at 1pa Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 108dB SPL (125 db when used with one of our battery modules), 1kHz at 1% Features Flat frequency response Comes with "SHURE" premium holding clip which is 360 degree rotational/removable and premium windscreen Requires a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/mm-lapel-1-lapel-style-microphone-omni-frequency-response-20-20-000-hz.gif^79.95^http://www.microphonemadness.com/mm-lapel-1-lapel-style-microphone-omni-frequency-response-20-20-000-hz.html^^0.4^New^In Stock^^^^^^^
mm-lapel-2-lapel-style-microphone-uni-directional-cardioid-frequency-respone-100-16-000-hz^MM-LAPEL-2 Lapel Style Microphone Uni-directional (cardioid) Frequency Respone 100-16,000 Hz.^MM-LAPEL-2^The (MM-LAPEL- 2) is hand made with high quality products to ensure long life and excellent recordings! This microphone is a "mono" UNI-directional (cardioid) microphone. The microphone element is strategically mounted into a customized cylinder for maximum performance!!!!!Measuring approx. 3/8" in diameter x 1" long. High quality shielded microphone cable exits the bottom of the capsule and terminates into a 1/8" (3.5 mm) gold-plated plug. *** Must specify cable length, choice of 3,4,5,or 6 feet at no additional charge!!! Now comes with a "SHURE" miniature wide mouth universal holding clip which is 360 rotational/removable that will hold any position desired! Premium windscreen included. This microphone has a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/- 3dB. It can be easily plugged into any Minidisc, Dat, or Analog recorder that supplies a bias voltage between 1.5 to 10 volts D.C.(also known as plug in power) Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 100- 16,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. sighal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 111 dB SPL (125 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Includes premium windscreen and "SHURE" miniature holding clip which is 360 degree rotational/removable! Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/mm-lapel-2-lapel-style-microphone-uni-directional-cardioid-frequency-respone-100-16-000-hz.gif^79^http://www.microphonemadness.com/mm-lapel-2-lapel-style-microphone-uni-directional-cardioid-frequency-respone-100-16-000-hz.html^^0.4^New^In Stock^^^^^^^
mm-lapel-3-lapel-style-microphone-uni-directional-cardioid-frequency-response-20-20-000-hz^MM-LAPEL-3 Lapel Style Microphone Uni-directional (cardioid) Frequency Response 20-20,000 Hz.^MM-LAPEL-3^The (MM-LAPEL- 3) is hand made with high quality products to ensure long life and excellent recordings! This microphone is a "mono" UNI-directional (cardioid) microphone. The microphone element is strategically mounted into a customized cylinder for maximum performance!!!!! Measuring approx. 3/8" in diameter x 1" long. High quality shielded microphone cable exits the bottom of the capsule and terminates into a 1/8" (3.5 mm) gold-plated plug. *** Must specify cable length, choice of 3,4,5,or 6 feet at no additional charge!!! Now comes with a "SHURE" miniature wide mouth universal holding clip which is 360 degree rotational/removable that will hold any position desired! Premium windscreen included. This microphone has a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/- 2 dB. It can be easily plugged into any Minidisc, Dat, or Analog recorder that supplies a bias voltage between 1.5 to 10 volts D.C.(also known as plug in power). Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 20- 20Khz. Signal to Noise Ratio: Greater than 60 dB Open Circuit Sensitivity: -50 dB Maximum Input Sound Level: 120 dB SPL, 1Khz at 1% T.H.D. (130 dB when powered by one of our battery modules) Features Flat frequency response Includes a "SHURE" premium wide mouth holding clip which is 360 degree rotational/removable and premium windscreen. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/mm-lapel-3-lapel-style-microphone-uni-directional-cardioid-frequency-response-20-20-000-hz.gif^79^http://www.microphonemadness.com/mm-lapel-3-lapel-style-microphone-uni-directional-cardioid-frequency-response-20-20-000-hz.html^^0.4^New^In Stock^^^^^^^
mm-mcsm-1-miniature-cardioid-stereo-microphones-100-16-000-hz^MM-MCSM-1 Miniature Cardioid Stereo Microphones (100-16,000 Hz.)^MM-MCSM-1^These microphones "NOW" come with "SHURE" premium, 360 degree rotational and removable holding clips! ( Frequency Response 100-16,000 Hz.) These miniature uni-directional (cardioid) stereo microphones (MM-MCSM-1) are the pair you need when your trying to lower crowd noise behind and on the sides of yourself! The microphone elements have been strategically mounted inside two brass cylinders that have been modified and designed for maximum recording saturation! Exterior of cylinders have been tightly enclosed in a durable rubber coating. Each cylinder (miniature in size) measuring a tapered 3/8" to 5/16" wide by 1" long! Six feet of high- Quality microphone cable exits each cylinder and are terminated into a 1/8" (3.5 mm) gold plated miniplug. Comes with 360 degree rotational holding clips and premium windscreens. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 100- 16,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. Signal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 111 dB SPL (125 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Comes with 360 degree (rotational) holding clips and premium windscreens. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-1-miniature-cardioid-stereo-microphones-100-16-000-hz.gif^115^http://www.microphonemadness.com/mm-mcsm-1-miniature-cardioid-stereo-microphones-100-16-000-hz.html^^0.7^New^In Stock^^^^^^^
mm-mcsm-2-miniature-cardioid-stereo-microphones-100-16-000-hz^MM-MCSM-2 Miniature Cardioid Stereo Microphones (100-16,000 Hz.)^MM-MCSM-2^( Frequency Response 100-16,000 Hz.) These miniature uni-directional (cardioid) stereo microphones (MM-MCSM-2) are the pair you need when your trying to lower crowd noise behind and on the sides of yourself! The microphone elements have been strategically mounted inside two brass cylinders that have been modified and designed for maximum recording saturation! Exterior of cylinders have been tightly enclosed in a durable rubber coating. Each cylinder (miniature in size) measuring a tapered 3/8" to 5/16" wide by 1" long! Six feet of high- Quality microphone cable exits each cylinder and are terminated into a 1/8" (3.5 mm) gold plated miniplug. Comes with premium windscreens. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 100- 16,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. sighal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 111 dB SPL (125 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Comes with premium windscreens. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-2-miniature-cardioid-stereo-microphones-100-16-000-hz.gif^95^http://www.microphonemadness.com/mm-mcsm-2-miniature-cardioid-stereo-microphones-100-16-000-hz.html^^0.6^New^In Stock^^^^^^^
mm-mcsm-3-croakie-style-cardioid-stereo-microphones-100-16-000-hz^MM-MCSM-3 (Croakie Style) Cardioid Stereo Microphones (100-16,000 Hz.)^MM-MCSM-3^(Frequency Response 100-16,000 Hz.) The (MM-MCSM- 3) is a croakie mounted microphone option of the (MM-MCSM-2). The microphone capsules are completely and permanently mounted inside suiters styles croakies. These croakies will mount into standard thickness eyeglass frames. Eyeglasses are not included. Must specify color of croakies. The croakies are available in gray/black or just plain black. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 100- 16,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. Signal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 111 dB SPL (125 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Can be used with one of our battery modules or plugged directly into your recorder. Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-3-croakie-style-cardioid-stereo-microphones-100-16-000-hz.gif^125^http://www.microphonemadness.com/mm-mcsm-3-croakie-style-cardioid-stereo-microphones-100-16-000-hz.html^^0.8^New^In Stock^^^^^^^
mm-mcsm-4-miniature-cardioid-stereo-microphones-20-20-000-hz^MM-MCSM-4 Miniature Cardioid Stereo Microphones (20-20,000 Hz.)^MM-MCSM-4^(These microphones "NOW"come with "SHURE" premium, 360 degree rotational and removable holding clips! Frequency Response 20- 20,000 HZ.). These miniature uni-directional (cardioid) stereo microphones (MM- MCSM-4) are the pair you need when your trying to lower crowd noise behind and on the sides of yourself! The microphone elements have been strategically mounted inside two brass cylinders that have been modified and designed for maximum recording saturation! Exterior of cylinders have been tightly enclosed in a durable rubber coating. Each cylinder (miniature in size) measuring a tapered 3/8" to 5/16" wide by 1" long! Six feet of high-Quality microphone cable exit each cylinder and are terminated into a 1/8" (3.5 mm) gold plated miniplug. Comes with 360 degree rotational holding clips and premium windscreens. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20- 20Khz. Signal to Noise Ratio: Greater than 60 dB Open Circuit Sensitivity: -50 dB Maximum Input Sound Level: 120 dB SPL, 1Khz at 1% T.H.D. (130 dB when powered by one of our battery modules). Features Flat frequency response Comes with 360 degree (rotational) holding clips and premium windscreens. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-4-miniature-cardioid-stereo-microphones-20-20-000-hz.gif^115^http://www.microphonemadness.com/mm-mcsm-4-miniature-cardioid-stereo-microphones-20-20-000-hz.html^^0.6^New^In Stock^^^^^^^
mm-mcsm-5-miniature-cardioid-stereo-microphones-20-20-000-hz^MM-MCSM-5 Miniature Cardioid Stereo Microphones (20 - 20,000 Hz.)^MM-MCSM-5^( Frequency Response 20-20,000 Hz.) These miniature uni-directional (cardioid) stereo microphones (MM-MCSM-5) are the pair you need when your trying to lower crowd noise behind and on the sides of yourself! The microphone elements have been strategically mounted inside two brass cylinders that have been modified and designed for maximum recording saturation! Exterior of cylinders have been tightly enclosed in a durable rubber coating. Each cylinder (miniature in size) measuring a tapered 3/8" to 5/16" wide by 1" long! Six feet of high- Quality microphone cable exits each cylinder and are terminated into a 1/8" (3.5 mm) gold plated miniplug. Comes with premium windscreens. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Specifications Frequency response: 20 - 20,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. sighal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 120 dB SPL (130 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Comes with premium windscreens. Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-5-miniature-cardioid-stereo-microphones-20-20-000-hz.gif^95^http://www.microphonemadness.com/mm-mcsm-5-miniature-cardioid-stereo-microphones-20-20-000-hz.html^^0.6^New^In Stock^^^^^^^
mm-mcsm-6-croakie-style-cardioid-stereo-microphones-20-20-000-hz^MM-MCSM-6 (Croakie Style) Cardioid Stereo Microphones (20 - 20,000 Hz.)^MM-MCSM-6^(Frequency Response 20 - 20,000 Hz.) The (MM-MCSM- 6) is a croakie mounted microphone option of the (MM-MCSM-5). The microphone capsules are completely and permanently mounted inside suiters styles croakies. These croakies will mount into standard thickness eyeglass frames. Eyeglasses are not included. Must specify color of croakies. The croakies are available in gray/black or just plain black. Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules ( check out our Battery-Module Section). Battery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 20 - 20,000 hz Open curcuit sensitivity: -50dB (5.6 mv) re 1v at 1 pa. Signal to noise ratio: more than 60 dB, 1Khz at 1 Pa. Maximum input Sound Level: 120 dB SPL (130 db when used with one of our battery modules), 15 dB higher @10% T.H.D Features Flat frequency response Can be used with one of our battery modules or plugged directly into your recorder. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) ^http://site.microphonemadness.com/googlebase/images/mm-mcsm-6-croakie-style-cardioid-stereo-microphones-20-20-000-hz.gif^139^http://www.microphonemadness.com/mm-mcsm-6-croakie-style-cardioid-stereo-microphones-20-20-000-hz.html^^0.8^New^In Stock^^^^^^^
mm-mslm-matchstick-lapel-microphone-omni-directional-20-hz-20-khz^MM-MSLM MatchStick Lapel Microphone ( omni-directional ) 20 hz - 20 Khz.^MM-MSLM^***Just reengineered with a newer more durable construction PLUS New MNINATURE ROTATIONAL HOLDING CLIP. A total home run!*** Our Smallest Microphone with Incredible Pro Audio Sound Quality! The MatchStick lapel / Lavaliere microphone(MM-MSLM) is hand made with high quality products to ensure long life and excellent recordings! It's ultra compact design is hardly noticeable to the naked eye. Measuring only an 1/8" in diameter! The MatchStick is an omni-directional high-end microphone that provides the highest levels of performance! Microphone is extremely sharp and detailed! Your choice in cable length. It can be easily plugged into any Minidisc, Dat, or Analog recorder that supplies a bias voltage of between 1 to 9 volts D.C. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency response: 20- 20,000 Hz Signal to noise ratio: 74dB, 1khz at 1pa Dynamic range: 105dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% Features Flat frequency response Comes with a standard gold 3.5mm "non" locking connector and premium windscreen! Optional connectors available. Choice of cable length (1 to 6 feet) Requires a bias voltage of 1 to 9 volts D.C. (also known as plug-in- power) or one of our battery modules. 1 Year Warranty ^http://site.microphonemadness.com/googlebase/images/mm-mslm-matchstick-lapel-microphone-omni-directional-20-hz-20-khz.gif^129.95^http://www.microphonemadness.com/mm-mslm-matchstick-lapel-microphone-omni-directional-20-hz-20-khz.html^^0.3^New^In Stock^^^^^^^
mm-pc-11-professionals-choice-dual-lavalier-microphone-omni-directional^MM-PC-11 Professionals Choice by Microphone Madness Dual Lavalier Microphones(Omni-directional) 3mm in diameter!^mm-pc-11^MM-PC-11 Professionals Choice by Microphone Madness. Dual Lavalier Microphones(Omni-directional)3mm in diameter! Comes with a standard 3.5mm connector. General Description Dual lavalier microphones come with 6 feet each of cable with a total separation of 12 feet. Placement of 1 mic for the interviewer and 1 mic for the interviewee. Excellent sensitivity from soft spoken words to full out singing or rock concert environments. Maximum sound pressure level of 150 db!! Micro-miniature design with Pro Audio performance everytime! Microphones produce extreme clarity and detail compared to no other.Included in package is 2 premium windscreens and 2 premium miniature rotational holding clips!! Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. ***Any questions or concerns please call us 1-386-446-3221*** Applications All-purpose, rugged, affordable lavalier that is easy to hide Capable of producing True binaural stereo recordings Also suited for news anchors, interviews, lecturers, churches, schools, broadcast and general lavalier applications Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 150 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms ^http://site.microphonemadness.com/googlebase/images/mm-pc-11-professionals-choice-dual-lavalier-microphone-omni-directional.gif^250^http://www.microphonemadness.com/mm-pc-11-professionals-choice-dual-lavalier-microphone-omni-directional.html^^0.05^New^In Stock^^^^^^^
mm-pc-12-professionals-choice-dual-lavalier-microphone-hyper-cardioid^MM-PC-12 Professionals Choice by Microphone Madness. Dual Lavalier Directional Microphones(hyper-cardioid) 3mm in diameter!^MM-PC-12^MM-PC-12 Professionals Choice by Microphone Madness. Dual Lavalier "Directional"(hyper-cardiod) Microphones. 3mm in diameter! Comes with a standard 3.5mm connector. General Description Dual "Directional"(hyper-cardiod)lavalier microphones come with 6 feet each of cable with a total separation of 12 feet. Placement of 1 mic for the interviewer and 1 mic for the interviewee. Excellent sensitivity from soft spoken words to full out singing or rock concert environments. Maximum sound pressure level of 130 db!! Micro-miniature design with Pro Audio performance everytime! Microphones produce extreme clarity and detail compared to no other. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. ***Any questions or concerns please call us 1-386-446-3221*** Applications All-purpose, rugged, affordable lavalier that is easy to hide Producing Pro Audio Quality True stereo recordings Also suited for news anchors, interviews, lecturers, churches, schools, broadcast and general lavalier applications Specifications Rohs Compliant! Polar Pattern: Uni-directional (hyper-cardiod) Element: Back Electret Condenser Frequency Response: 50hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 130 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Capsule diameter: 0.120 in. (3.05mm) Cable: 6ft. each cable Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Microphone Color (Beige or Black) Matching Windscreens NEW matching rotational Holding Clips. ^http://site.microphonemadness.com/googlebase/images/mm-pc-12-professionals-choice-dual-lavalier-microphone-hyper-cardioid.gif^300^http://www.microphonemadness.com/mm-pc-12-professionals-choice-dual-lavalier-microphone-hyper-cardioid.html^^0.05^New^In Stock^^^^^^^
mm-psm^MM-PSM^MMPSM^*** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** Introduction This product was designed, engineered and manufactured by us Microphone Madness Inc. several years ago. It has been in the Pro Audio wireless market place since that time and has been very successful then and still is today. Many of you know this microphone as the Electrovoice RE97Tx or Point-Source Audio(CO-7), one in the same. Product is made here in the United States (Florida). We will no longer be making our product (private labeling) for either of these companies and it will now carry our own branded markings MM-Pro Series earset. We are the manufacturer and this product is made by us here in the USA (Florida). MSRP on this microphone is $299.00!!! This product has a 30 day trial period and then rolls into a 1 year manufacturers warranty. General Description The MM-Pro Series earset(MM-PSM) is ideal for applications requiring Ultra-low profile unobtrusive fit. It is an omni-directional, back electret condensor microphone intended for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible, easy to use and has an unbreakable boom! Can be used on either your left or right ear. Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 125 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 3.4in. (86.4mm) Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Earhook diameter: 0.090 in. (2.30mm) Cable: 4ft. (1.22m) long, 0.077 in. (1.95mm) diameter Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color(Beige, Brown or Black) Matching Windscreen Holding Clip Accessories^http://site.microphonemadness.com/googlebase/images/mm-psm.gif^129.95^http://www.microphonemadness.com/mm-psm.html^^0.3^New^In Stock^^^^^^^
mm-psm-pro-series-directional-earset-hyper-cardioid^MM-PSM Pro Series Directional Earset (hyper-cardioid)^MM-PSM-directional^***NEW STIFFER BOOM DESIGN!!!*** *** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Bullet Proof Construction! *Cannot break Earset in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user General Description The MM-Pro Series Directional Earset microphone (MM-PSM-directional) is ideal for applications requiring Ultra-low profile unobtrusive fit. Our Directional Earset is designed for even more gain before feedback in noisy spaces or near loudspeakers. Intended use is for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible and easy to use and has an unbreakable boom! ***Any questions or concerns please call us 1-386-446-3221*** Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional (hyper-cardiod) pickup pattern is ideal for situations with loud monitors, extreme feedback or environmental noise Specifications Rohs Compliant! Polar Pattern: Uni-directional (hyper-cardiod) Element: Back Electret Condenser Frequency Response: 50hz - 15Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 125 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 3.4in. (86.4mm) Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Earhook diameter: 0.090 in. (2.30mm) Cable: 4ft. (1.22m) long, 0.077 in. (1.95mm) diameter Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color (Beige, Brown or Black) Matching Windscreen Holding Clip Accessories Additional Windscreens ^http://site.microphonemadness.com/googlebase/images/mm-psm-pro-series-directional-earset-hyper-cardioid.gif^169.95^http://www.microphonemadness.com/mm-psm-pro-series-directional-earset-hyper-cardioid.html^^0.03^New^In Stock^^^^^^^
mm-psm-pro-series-earset-microphone^MM-PSM Pro Series Earset Microphone^MM-PSM^***NEW STIFFER BOOM DESIGN!!!*** *** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cannot break Earset in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user Introduction This product was designed, engineered and manufactured by us Microphone Madness Inc. several years ago. It has been in the Pro Audio wireless market place since that time and has been very successful then and still is today. Many of you know this microphone as the Electrovoice RE97Tx or Point-Source Audio(CO-7), one in the same. Product is made here in the United States (Florida). We will no longer be making our product (private labeling) for either of these companies and it will now carry our own branded markings MM-Pro Series earset. We are the manufacturer and this product is made by us here in the USA (Florida). MSRP on this microphone is $299.00!!! This product has a 30 day trial period and then rolls into a 1 year manufacturers warranty. General Description The MM-Pro Series earset(MM-PSM) is ideal for applications requiring Ultra-low profile unobtrusive fit. It is an omni-directional, back electret condensor microphone intended for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible, easy to use and has an unbreakable boom! Can be used on either your left or right ear. Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 145 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 3.4in. (86.4mm) Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Earhook diameter: 0.090 in. (2.30mm) Cable: 4ft. (1.22m) long, 0.077 in. (1.95mm) diameter Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color(Beige, Brown or Black) Matching Windscreen Holding Clip Accessories Additional Windscreens ^http://site.microphonemadness.com/googlebase/images/mm-psm-pro-series-earset-microphone.gif^129.95^http://www.microphonemadness.com/mm-psm-pro-series-earset-microphone.html^^0.03^New^In Stock^^^^^^^
mm-psm-clip^MM-PSM-clip^MM-PSM-clip^MM-PSM-clip^http://site.microphonemadness.com/googlebase/images/mm-psm-clip.gif^7^http://www.microphonemadness.com/mm-psm-clip.html^^0^New^In Stock^^^^^^^
lapel-hair-microphones-micro-miniature^MM-PSM-L (omni) Lapel / Hair /Wig Microphones (micro-miniature 3 mm diameter!!!)^MM-PSM-L^***NEW Smaller footprint with 1mm cabling!!!***Made in the USA!!!*** *** AS GOOD AS THE COUNTRYMAN B3 OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user General Description The MM-Pro Series Lapel / Hair microphone (MM-PSM-L) is ideal for applications requiring Ultra-low profile unobtrusive fit. It is an omni-directional, back electret condensor microphone intended for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible and easy to use. ***Any questions or concerns please call us 1-386-446-3221*** Applications All-purpose, rugged, affordable lavalier that is easy to hide Easily hidden in hair/costumes or glued on performers' faces in film, theater and broadcast Also suited for news anchors, interviews, lecturers, churches, schools and general lavalier applications Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 150 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Kit Includes Choice of Color(Beige, Brown, White or Black) Matching Windscreen NEW Matching miniature rotational Holding Clip! Capsule diameter: 0.120 in. (3.05mm) Net weight of .05lbs Accessories Additional Windscreens ^http://site.microphonemadness.com/googlebase/images/lapel-hair-microphones-micro-miniature.gif^115^http://www.microphonemadness.com/lapel-hair-microphones-micro-miniature.html^^0.05^New^In Stock^^^^^^^
mm-psm-l-d---directional-lav-hair-wig--microphone^MM-PSM-L-D directional (hyper-cardiod) Lav/Hair Wig Microphone (3 mm diameter!!!)^MM-PSM-L-D-Directional-Lav-Hair-Wig--microphone^*****Redesigned extreme low profile layout. 1mm cabling!!!!****MM-PSM-L-D directional(hyper-cardiod) Lav/Hair/Wig Microphone *** AS GOOD AS THE COUNTRYMAN B3 OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cannot break in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user General Description The MM-Pro Series Directional Hair/Wig/Lapel microphone MM-PSM-L-D (directional) is ideal for applications requiring Ultra-low profile unobtrusive fit. Our Directional Hair/Wig/Lapel is designed for even more gain before feedback in noisy spaces or near loudspeakers. Intended use is for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! ***MICROPHONE HOUSINGS ARE ONLY 3MM IN DIAMETER!!!!!! ***Any questions or concerns please call us 1-386-446-3221*** Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional (hyper-cardiod) pickup pattern is ideal for situations with loud monitors, extreme feedback or environmental noise Specifications Rohs Compliant! Polar Pattern: Uni-directional (hyper-cardiod) Element: Back Electret Condenser Frequency Response: 50hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 125 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Capsule diameter: 0.120 in. (3.05mm) Cable: 4ft.5in. Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color (Beige Brown, White or Black) Matching Windscreen Matching Holding Clip! ^http://site.microphonemadness.com/googlebase/images/mm-psm-l-d---directional-lav-hair-wig--microphone.gif^155^http://www.microphonemadness.com/mm-psm-l-d---directional-lav-hair-wig--microphone.html^^0.04^New^In Stock^^^^^^^
mm-psm-short-boom-microphone^MM-PSM-s Short boom Pro Series Omni-directional microphone^MM-PSM-s^MM-PSM-s Short boom Pro Series Omni-directional microphone ***NEW STIFFER BOOM DESIGN!!!*** *** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cannot break Earset in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user Introduction General Description The MM-Pro Series(MM-PSM-s) is the lowest profile earset/earworn microphone we have to offer. Its ideal for applications requiring Ultra-low profile unobtrusive fit. Extreme positive fitment with no movement. Super lightweight design. It is an omni-directional, back electret condensor microphone intended for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible, easy to use and has an unbreakable boom! Can be used on either your left or right ear. Specifications Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 145 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 1.25" Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Earhook diameter: 0.090 in. (2.30mm) Cable Length: 4ft.5in. Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color(Beige, Brown or Black) Matching Windscreen Holding Clip ^http://site.microphonemadness.com/googlebase/images/mm-psm-short-boom-microphone.gif^129.95^http://www.microphonemadness.com/mm-psm-short-boom-microphone.html^^0.04^New^In Stock^^^^^^^
mm-psm-w-pro-series-line-windscreens-mm-mslm-wig-hair^MM-PSM-W Pro Series Line Windscreens / MM-MSLM / Wig / Hair^MM-PSM-W^Replacement windscreens for the following products: Pro Series Earset, Dual-Earset and Directional Microphone Line. (ie. MM-PSM, MM-DPSM, MM-PSM-D, MM-DPSM-D, MM-PSM-L, MM-MSLM but not limited to!) For MM-MatchStick Mic and Pro Series Lavs too!!!^http://site.microphonemadness.com/googlebase/images/mm-psm-w-pro-series-line-windscreens-mm-mslm-wig-hair.gif^4^http://www.microphonemadness.com/mm-psm-w-pro-series-line-windscreens-mm-mslm-wig-hair.html^^0^New^In Stock^^^^^^^
mm-pws-micro-replacement-micro-sonic-windscreen^MM-PWS-micro Replacement Micro Sonic Windscreen^MM-PWS-micro^Replacement windscreens for the following products but not limited to. MM-BSM-3, MM-BSM-5, MM-BSM-6, MM-BSM-7, MM-STM-1, MM-STM-2, MM-STM-3, MM-TMM-1, MM-TMM-2, MM-LAPEL-1, MM-ML, MM-FGNO-M, MM-FGNO^http://site.microphonemadness.com/googlebase/images/mm-pws-micro-replacement-micro-sonic-windscreen.gif^3.75^http://www.microphonemadness.com/mm-pws-micro-replacement-micro-sonic-windscreen.html^^0^New^In Stock^^^^^^^
phantom-power-converters-to-bias-voltage^Phantom Power Converters to Bias Voltage^MM-PPC^Converts phantom power converters to bias voltage(also known as plug in power).^http://site.microphonemadness.com/googlebase/images/phantom-power-converters-to-bias-voltage.gif^59.95^http://www.microphonemadness.com/phantom-power-converters-to-bias-voltage.html^^0.2^New^In Stock^^^^^^^
premium-windscreen-black-mm-pws-2^Premium Windscreen ( Black )^MM-PWS-2^The (MM-PWS-2) is the highest quality windscreen on the market today! Using a non-heat manufacturing process, these windscreens are constructed from a specially developed hypo-allergenic, open-cell foam called SonicFoam. The use of SonicFoam permits the free passage of sound energy without affecting the microphone's frequency response. While remaining acoustically transparent, these windscreens are engineered to reduce wind velocity which eliminated wind noise, pop noises and breath sounds. For anyone who wants to keep their investment secure, nothing protects an expensive microphone from dust, dampness and physical damage like an external windscreen! Fits the following: AKG CK97C, C567 Audio-Technica AT803b, 831, 853, 855, 857, 859, ATM 35 Beyer MC5, MC6, MCE10, MCE52 E.V. RE98, CO90, CO90P, CO94, CO100, CP212, 218, CS200, CH230 SAMSON VLP-1 SENNHEISER MKE-40, MKE-60 SHURE SM83A, SM84A, SM98, SM99, 839W SONY ECM-44, 55, 66, 166 Fits most poduim or headset style microphones with up to a .50" outside diameter.^http://site.microphonemadness.com/googlebase/images/premium-windscreen-black-mm-pws-2.gif^7.5^http://www.microphonemadness.com/premium-windscreen-black-mm-pws-2.html^^0.1^New^In Stock^^^^^^^
premium-windscreen-black-mm-pws-1^Premium Windscreen (Black)^MM-PWS-1^The (MM-PWS-1) is the highest quality windscreen on the market today! Using a non-heat manufacturing process, these windscreens are constructed from a specially developed hypo-allergenic, open-cell foam called SonicFoam. The use of SonicFoam permits the free passage of sound energy without affecting the microphone's frequency response. While remaining acoustically transparent, these windscreens are engineered to reduce wind velocity which eliminated wind noise, pop noises and breath sounds. For anyone who wants to keep their investment secure, nothing protects an expensive microphone from dust, dampness and physical damage like an external windscreen! Fits the Following: AKG C407, C417, C970 Audio-Technica AT803B, 830R, 831, 837, 855, 859, ATM15, ATM73A, ATM803, PRO7A Beyer MC5, MC6 COUNTRYMAN SHURE SM93, SM99, WCM-16 TELEX PH21, PH22, PH23 TRAM Fits most podium or headset style microphones with up to a .375" outside diamenter.^http://site.microphonemadness.com/googlebase/images/premium-windscreen-black-mm-pws-1.gif^5^http://www.microphonemadness.com/premium-windscreen-black-mm-pws-1.html^^0.1^New^In Stock^^^^^^^
pro-series-directional-dual-earset-earworn-hyper-cardioid-microphone^Pro Series Directional Dual Earset / Earworn (hyper-cardioid) Microphone^MM-DPSM-D^***NEW STIFFER BOOM DESIGN!!!*** *** AS GOOD AS THE COUNTRYMAN E6i OR YOUR MONEY BACK!!! *** ***NOW AVAILABLE!!!Bullet Proof Build Option!!!! Just select this option when ordering in your selection fields*** BULLET PROOF BUILD OPTION(key features) *Heavier Build Bullet Proof Construction! *Cannot break Earset in half at any point! *Cannot break off the tip of the microphone Head were the capsule is mounted! *Cable cannot be pulled in half. Flexible but extremely durable! Literally it would have to be cut with a knife!! *Cable measures 1/16" in OD *2 Year Warranty! Designed for the rugged user General Description The MM-Pro Series Directional Dual Earset / Earworn microphone (MM-DPSM-directional) is ideal for applications requiring Ultra-low profile unobtrusive fit. Our Directional Dual-Earset is designed for even more gain before feedback in noisy spaces or near loudspeakers. Intended use is for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible and easy to use and has an unbreakable boom! Extreme positive fitment over single earset microphones! Set it and forget it!! *Fixed left or right side boom. Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional (hyper-cardiod) pickup pattern is ideal for situations with loud monitors, extreme feedback or environmental noise Specifications Rohs Compliant! Polar Pattern: Uni-directional (hyper-cardiod) Element: Back Electret Condenser Frequency Response: 30hz - 18Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 135 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Microphone Dimensions Boom Length (as shipped): 3.4in. (86.4mm) Boom diameter: 0.080 in. (2.00mm) Capsule diameter: 0.120 in. (3.05mm) Earhook diameter: 0.090 in. (2.30mm) Cable: 4ft. (1.22m) long, 0.077 in. (1.95mm) diameter Net Weight: 0.6 oz. (17g), Mic only = 0.2 oz. (5.7g) Kit Includes Choice of Color (Beige, Brown or Black) Matching Windscreen Holding Clip ****Fitment: Microphone ear hooks lay over both ears and boom goes under your ear down along your jaw line.****^http://site.microphonemadness.com/googlebase/images/pro-series-directional-dual-earset-earworn-hyper-cardioid-microphone.gif^199.95^http://www.microphonemadness.com/pro-series-directional-dual-earset-earworn-hyper-cardioid-microphone.html^^0.04^New^In Stock^^^^^^^
protective-end-cap-mm-ec1^Protective End Cap - MM-EC1^MM-EC1^Protective End Cap - MM-EC1^http://site.microphonemadness.com/googlebase/images/protective-end-cap-mm-ec1.gif^10^http://www.microphonemadness.com/protective-end-cap-mm-ec1.html^^0.1^New^In Stock^^^^^^^
protective-end-cap-mm-ec2^Protective End Cap - MM-EC2^MM-EC2^Protective End Cap - MM-EC2^http://site.microphonemadness.com/googlebase/images/protective-end-cap-mm-ec2.gif^10^http://www.microphonemadness.com/protective-end-cap-mm-ec2.html^^0.1^New^In Stock^^^^^^^
right-angle-tiny-mono-microphone-frequency-respone-20-20khz^Right angle Tiny Mono Microphone ( frequency respone 20-20Khz! )^MM-TMM-RT^The Right angle Tiny Mono microphone (MM-TMM-RT) is a "dual-channel"omni-directional microphone that is designed to plug directly into your portable recorder for the smallest footprint available. Total measurements are about .35" wide and 1" long. The microphone element is built directly into a High-Quality 1/8" (3.5mm) gold plated connector and tightly enclosed in a durable rubber coating. It comes standard with premium windscreen! If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable MM-EXT.CABLE-1. These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreen. Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/right-angle-tiny-mono-microphone-frequency-respone-20-20khz.gif^35^http://www.microphonemadness.com/right-angle-tiny-mono-microphone-frequency-respone-20-20khz.html^^0.2^New^In Stock^^^^^^^
super-mono-microphone-omni-directional^Super "Mono" Microphone (omni-directional)^MM-SMM-1^*The microphone stand in some of the pictures "does not" come with the product!* The Super Mono microphone (MM-SMM-1) total measurements are 3/8" wide x 2 1/2" long. The omni-directional element is built directly into a High-Quality 1/8" gold plated connector / brass cylinder and tightly enclosed in a durable rubber coating. Wired for maximum sound!!! ( Both channels). Comes standard with premium windscreen! *Available in four different colors to choose from with no additional cost to our customers! (BLACK, RED, GREEN, BLUE) NOTE: If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable (MM-EXT.CABLE-1). These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreen. Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! Miniature Tripod Stand will allow you to isolate your microphone from your recorder! ^http://site.microphonemadness.com/googlebase/images/super-mono-microphone-omni-directional.gif^39.95^http://www.microphonemadness.com/super-mono-microphone-omni-directional.html^^0.3^New^In Stock^^^^^^^
super-t-stereo-microphones-omni-directional-mm-stm-2^Super "T" Stereo Microphones (omni-directional)^MM-STM-2^The (MM-STM-2) is a omni- directional self-contained single point stereo microphone. This unit can be easily plugged into any minidisc,dat, or analog recorder that supplies a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in-power) at the microphone input jack. These little microphones are hand-made with high quality parts. Comes with "SHURE" 360 degree rotational (detachable) premium holding clip. Measuring 1.75" long and 1 5/8" wide. These microphone elements (2) are mounted into a durable 1/4" diameter brass cylinder and covered in tough rubber. All "super T" microphones come with premium windscreens and choice of color. Must specify: Black, Red, Blue, Green. There are matching color extension cables available (MM- EXT.CABLE-1). These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. If you want to increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreens & "SHURE" wide mouth 360 degree (rotational) holding clip (detachable). Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/super-t-stereo-microphones-omni-directional-mm-stm-2.gif^59.95^http://www.microphonemadness.com/super-t-stereo-microphones-omni-directional-mm-stm-2.html^^0.4^New^In Stock^^^^^^^
super-t-stereo-microphones-omni-directional-mm-stm-1^Super "T" Stereo Microphones (omni-directional)^MM-STM-1^*The microphone stand in some of the pictures "does not" come with the product!* The (MM-STM-1) is a omni- directional self-contained single point stereo microphone. This unit can be easily plugged into any minidisc,dat, or analog recorder that supplies a bias voltage of 1.5 to 10 volts D.C. (also known as plug-in-power) at the microphone input jack. These little microphones are hand-made with high quality parts. Measuring 1.75" long and 1 5/8" wide. These microphone elements (2) are mounted into a durable 1/4" diameter brass cylinder and covered in tough rubber. All "super T" microphones come with premium windscreens and choice of color. Must specify: Black, Red, Blue, Green. These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. If you want to increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Also, if you want to add even more versatility, check out our fully shielded, Deluxe Heavy-Duty Microphone Extension Cable (MM-EXT.CABLE-1) & "SHURE" holding clip (MM-SHURE-HC-2). Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreens. Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/super-t-stereo-microphones-omni-directional-mm-stm-1.gif^49.95^http://www.microphonemadness.com/super-t-stereo-microphones-omni-directional-mm-stm-1.html^^0.4^New^In Stock^^^^^^^
out-of-stock-product-test^Test Product^out-of-stock-product-test^this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. this is product description section. ^http://site.microphonemadness.com/googlebase/images/out-of-stock-product-test.gif^44^http://www.microphonemadness.com/out-of-stock-product-test.html^^0.5^New^Out of Stock^^^^^^^
tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-1^Tiny Mono Microphone (omni-directional) Frequency Response 20-20,000 Hz.^MM-TMM-1^The Tiny Mono microphone (MM-TMM-1) is a omni-directional microphone that is designed to plug directly into your portable recorder for the smallest footprint available. Total measurements are about .35" wide and 1" long. The microphone element is built directly into a High-Quality 1/8" (3.5mm) gold plated connector and tightly enclosed in a durable rubber coating. It comes standard with premium windscreen! If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable MM-EXT.CABLE-1. These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreen. Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! ^http://site.microphonemadness.com/googlebase/images/tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-1.gif^29.95^http://www.microphonemadness.com/tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-1.html^^0.3^New^In Stock^^^^^^^
tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-2^Tiny Mono Microphone (omni-directional) Frequency Response 20-20,000 Hz.^MM-TMM-2^ The Tiny Mono microphone (MM-TMM-2) is a omni-directional microphone that is designed to plug directly into your portable recorder for the smallest footprint available. Total measurements are about .35" wide and 1" long. The microphone element is built directly into a High-Quality 1/8" (3.5mm) gold plated connector and tightly enclosed in a durable rubber coating. It comes standard with "SHURE" 360 degree (rotational) wide mouth holding clip (detachable) and premium windscreen! NOTE: If you want to separate the mic from your recorder, you can do so with our Microphone Madness Extension Cable(MM-EXT.CABLE-1). These microphones produce a natural, crisp sound that provides deep bass, smooth mid-range and clean high-range with a typical frequency response of +/-2dB. To increase dynamic range and enable your microphones to handle loud sounds, checkout our optional Battery/filter Modules. Excellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. Specifications Frequency Response: 20-20,000Hz Signal to Noise Ratio: 58dB, 1kHz at 1 Pa Open Circuit Sensitivity: - 42dB(5.6mv) re 1v at 1 Pa Dynamic range: 90dB, 1kHz Maximum Input Sound Level: 105dB SPL, 1kHz at 1% ( 120 db when used with one of our battery modules ) Features Flat Frequency Response Comes with Premium Windscreen. Requires a bias voltage of 1.5 to 10 volts D.C.(also known as plug-in-power) or one of our battery modules. 1 Year Warranty Accessories Check out our Battery / Filter Module Section (mono) or (stereo) Supplies the microphone(s) with optimum power (9 volts D.C.), increases dynamic range and overall performance!! Miniature Tripod Stand will allow you to isolate your microphone from your recorder! ^http://site.microphonemadness.com/googlebase/images/tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-2.gif^45^http://www.microphonemadness.com/tiny-mono-microphone-omni-directional-frequency-response-20-20-000-hz-mm-tmm-2.html^^0.3^New^In Stock^^^^^^^
universal-zipper-case^Universal zipper case^MM-ZC^Universal zipper case for storing your lavaliere, earset , headset microphones and accessories^http://site.microphonemadness.com/googlebase/images/universal-zipper-case.gif^10^http://www.microphonemadness.com/universal-zipper-case.html^^0.4^New^In Stock^^^^^^^
waterproof-durable-submergible-microphone^Waterproof, Durable & Submergible Microphone - MM-PSM-L-WP^MM-PSM-L-WP^The real waterproof Microphone! Extremely Durable and totally submergible Product comes with our "Bullet Proof" build + 2 year warranty! Available in Beige or Black color General Description The MM-Pro Series Lapel / Hair microphone (MM-PSM-L-WP) is ideal for applications requiring Ultra-low profile unobtrusive fit for any situation. It is a "WaterProof" omni-directional, back electret condensor microphone intended for Theatre , House of worship, speech, lectures, male and female vocals, literally everything! We would put this microphone up against anything in its class including the countryman line! Microphone is extremely flexible and easy to use. ***Any questions or concerns please call us 1-386-446-3221*** Applications All-purpose, rugged, affordable lavalier that is easy to hide and "WaterProof"! Easily hidden in hair/costumes or glued on performers' faces in film, theater and broadcast Also suited for news anchors, interviews, lecturers, churches, schools and general lavalier applications Specifications "WaterProof" with Bullet Proof Construction! Rohs Compliant! Polar Pattern: Omni-directional Element: Back Electret Condenser Frequency Response: 20hz - 20Khz Sensitivity, 1 Khz (open-circuit): 4.0mv/pascal Maximum SPL ( 1% THD ): 150 db Dynamic Range: 93 db Equivalent Noise: 32 dba Output Impedance, 1 khz.: 3000 ohms Kit Includes Comes with our "Bullet Proof Build option" standard Choice of Color(Beige or Black) Matching Windscreen NEW Matching miniature rotational Holding Clip! Capsule diameter: (4mm) Net weight of .05lbs Accessories ^http://site.microphonemadness.com/googlebase/images/waterproof-durable-submergible-microphone.gif^249.95^http://www.microphonemadness.com/waterproof-durable-submergible-microphone.html^^0.1^New^In Stock^^^^^^^